"Reality and Art: 2009 Art Beijing Forum" in Beijing

Yesterday (14), Peking University, Professor Xie Mian on the current literary writing bluntly criticized, he said: "Now people who read novels is often the people who write novels, poetry tend to see is to write poetry, and this can not but feel sad. "He was in the" real and Literature: 2009 Beijing Art Forum "made the remarks. From around the country more than 30 literary theorist and critic, delivered a speech at the forum. From Peking University, Beijing Normal University and the Communication University of China University students also participated in a lively discussion.

市文联 this forum in Beijing, jointly organized with Peking University. The experts for the current relationship between art and reality shows deep concern. Xie Mian noted that: "In the past taught me to keep my peasants, now flock to inundate every corner of the city. These people, these new heroes are becoming a marginal, but the writer's attention was the high end of the aristocratic taste attracted little attention or compassion migratory birds like the railway line running them. "Communication University of China Television Arts professor Zeng Qingrui that a large number of TV dramas in the current, more to see is sentimental and family gossip," This is the reality which of course, but the incomplete nature of our times is the reality in front of a lot of problems, we then performed slow, indifferent and apathetic. "

Avoids the writers, poets, often fall into the trap of telling their own stories of embarrassing situations. College of Fudan University Professor Gao Yuanbao that the huge Chinese literature, writers, and there is no communication and dialogue between writers, between writers and readers there is no communication and dialogue, writer "fragmented" as we are all accustomed to the phenomenon.

Many critics have taken note of the relatively popular "bottom of Writing". Associate Professor, Peking University Shao Yanjun, said: "Now we see the situation is that some writers though very keen to write 'bottom', but their suffering is intended to pen out. Migrant workers who comes out of the depression or the petty bourgeoisie intellectuals sentimentality. Some writers in performance when suffering from a specific context, to the abstract, conceptual. "She believes that many of the" bottom of Writing "from the reality of living in a rapidly changing character can not be expressed in the inner anxiety. Shao Yanjun that, in order to tap an original "bottom experience" is a "famous writer" go in life, one is the "primary author" came up in the literature. But the primary writer on the current training system, this has become a problem.